• HOME
  • And i, if i could, i would
  • sometimes the heart asks strange things for itself | 2022
  • And the sounds (sounded) far, far away | 2019
  • Abigail | 2019
  • The only thing I remember is the sea | 2019
  • Blindfolded Landscapes | 2018
  • Dau iniya דָאווּ עִינִיָא ضو عيني
  • looking back . gazing at the present | 2017
  • Portrait of an anonymous soldier
  • Self Portrait with a soldier | 2016
  • Machu Picchu | 2016
  • One a Day
    • December 2015
    • January 2016
    • February 2016
    • March 2016
    • April 2016
    • May 2016
    • June 2016
    • July 2016
    • August 2016
    • September 2016
    • October 2016
    • November 2016
    • December 2016
  • i saw you in my bed | 2010
  • Body.Territory | 2009
  • CV
  • artist statement
  • Contact
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Mati Elmaliach

מתי אלמליח متي الملياح
  • HOME
  • And i, if i could, i would
  • sometimes the heart asks strange things for itself | 2022
  • And the sounds (sounded) far, far away | 2019
  • Abigail | 2019
  • The only thing I remember is the sea | 2019
  • Blindfolded Landscapes | 2018
  • Dau iniya דָאווּ עִינִיָא ضو عيني
  • looking back . gazing at the present | 2017
  • Portrait of an anonymous soldier
  • Self Portrait with a soldier | 2016
  • Machu Picchu | 2016
  • One a Day
    • December 2015
    • January 2016
    • February 2016
    • March 2016
    • April 2016
    • May 2016
    • June 2016
    • July 2016
    • August 2016
    • September 2016
    • October 2016
    • November 2016
    • December 2016
  • i saw you in my bed | 2010
  • Body.Territory | 2009
  • CV
  • artist statement
  • Contact
  • Press
 
 

  • Madaf - The Convention of Ambiguity: On the Photography of Mati Elmaliach
    An essay from And I, If Only I Could, I Would    . by Sivan Rajuan Shtang | June 2024

  • Haaretz on "And I, if only I could, I would" in Be’eri gallery in Tel-Aviv
    by Avi Pitchon | May 2024

  • Haaretz on "And I, if only I could, I would" in Be’eri gallery in Tel-Aviv
    An interview with Daniel Tchetchik | May 2024

  • “looking back | gazing at the present“ | Chet with Yuval saar,
    Portfolio art Magazine | Dec. 2017

  • Haaretz on: “Machu Picchu” |  To sew a new memory from the
    military service | Nov. 2016

  • Portfolio Magazine: “Machu Picchu” |  P8 Contemporary Art Gallery

  • TENOU’A # 167 // Questioning violence

  • TENOU’A # 165 // Yom Kippour

  • Time Out on: fresh paint 7, 2014 by Shani Harari